A Swedish friend

MPP 5x4 Camera, Wet Plate Collodion

The last time I was in Stockholm I bought this little chap. Some kind of Christmas decoration.

My dog goes crazy when the little chap makes an appearance, wanting to run around the room with him, so I have to put him up high, out of harms way.

I’m sure he doesn’t mind.

MPP 5×4 Wet-plate onto black aluminium


Wills – on Wet Plate

MPP 5x4 Camera, Wet Plate Collodion

Wills, taken with the MPP using 5×4 inch wet-plate.

It looks messy.

And with all the artefacts around the edges, it is messy. Its also hard to do, and I am learning…!

But I do like it. Its uniqueness. The uniqueness of being something that is unrepeatable and something so tangible. And I do like not because of its faults as well as its results.

Wet Plate Collodion

10x8 Camera, MPP 5x4 Camera, Wet Plate Collodion


I have marvelled at victorian photography, and that of the American Civil War. The quality, the way the lenses react with the light, and of course the content. The formal poses and this small glimpse into history. I’ve always wanted to try this method of photography, and recently I managed to learn the basics.

When photography became popular, the photographers used glass for the picture. It was coated with a gelatine-like substance then placed into a sensitising bath (silver salts) to make a light sensitive medium. After exposure it had to be developed within ten to fifteen minutes to produce a glass negative.

The tin-type was invented by Fredrick Scott Archer in 1851, an American, and instead of using glass to make a negative, a sheet of black enamelled tin is used instead of glass and with a change in the chemicals used for this process, a positive image is made on the tin instead of a negative onto glass. Its a one-off process and as soon as photographers became aware, it allowed them to travel the world and to take pictures without risk of braking their glass pictures.

I just love the whole process, so I’ve adapted a film holder which will let me shoot 5×4 inch wet-plates on my MPP camera. I like doing this so much I’ve just bought a new camera to make even bigger plates. My new camera is a 1912 Ainsco, made in New York, it exposes onto 10×8 inch plates.


This is my first plate taken with the Ainsco, exposed onto a 10×8 sheet of aluminium which was cut down to 10×5 inches to make the picture more interesting.


And a picture of the Ainsco camera itself, taken using my MPP onto 5×4 inch black aluminium.